18th May 2013

Photo reblogged from Ink, Death, and Coffee. with 18 notes

misterbeaudry:

WIP #drawing #illustration #ink #snake (at Colonial Park Cemetery)

misterbeaudry:

WIP #drawing #illustration #ink #snake (at Colonial Park Cemetery)

17th May 2013

Photoset reblogged from this isn't happiness. with 582 notes

nevver:

Antonio Caparo

17th May 2013

Photo reblogged from cohosh with 267 notes

dustoncrowns:

 

dustoncrowns:

 

Source: sacreamour

17th May 2013

Photo reblogged from not grey with 49 notes

centraldesignstation:

Deer X-ing (by Sakke Soini)

centraldesignstation:

Deer X-ing (by Sakke Soini)

Source: behance.net

11th May 2013

Photo reblogged from Spurt of Blood with 681 notes

darksilenceinsuburbia:

Armin Landeck . Staircase, 1942. Drypoint, 10 1/8 in. x 6 3/8 in. - Edition of 50.
 
 
and here

darksilenceinsuburbia:

Armin Landeck Staircase, 1942. Drypoint, 10 1/8 in. x 6 3/8 in. - Edition of 50.

 

 

and here

Source: darksilenceinsuburbia

10th May 2013

Photo reblogged from with 93 notes

cultcult:

Untitled (by Morgaine Faye)
Finally finished! Now for titles. Then I’m ready to hang it all up.
https://www.facebook.com/events/252145094883880/

cultcult:

Untitled (by Morgaine Faye)

Finally finished! Now for titles. Then I’m ready to hang it all up.

https://www.facebook.com/events/252145094883880/

Source: Flickr / bearcrystals

10th May 2013

Photo reblogged from with 29 notes

cultcult:

Sundays are for painting.

cultcult:

Sundays are for painting.

Source: cultcult

10th May 2013

Photoset reblogged from ghost in the machine with 843 notes

fer1972:

Handcut Birds by 

8th May 2013

Photo reblogged from The Pixelated Nerd with 212 notes

adovelin:

Portfolio work from the beginning of the year, done for a personal essay called Color Theory: Racial Connotations in the Visual Simplifications of Good and Evil.


The essay focuses on binary thinking and how this system of thought both reveals and instills problematic ideas in western culture, such as the trope of good and evil, which the pale figure is used as a visual emblem of Good while the dark figure is used as an emblem of Evil. This isn’t always portrayed in skin color, but the baseline connotations it carries affects people of color, affects my friends, one of whom grew up feeling ugly because of it: that the hue of a skin was correlated to an idea of good and evil, beautiful and ugly, segregated into categories deemed white and black. 

This trope of good and evil, and all its visuals, has been used again and again by visual creatives because it’s established: That does not stop it from carrying a weight that falls upon a real group of people, people who are dark, and are made out visually in media to be villains. That does not stop it from forming subconscious racist connotations among a culture actively suffering from and attempting to combat racism. Good and Evil is not black and white, it is not simplicity or clarity: true good and evil is blurred, because the heart is not worn on surface, and the visualizations should reflect such.

Who did you think was the hero in that picture, the so-called good guy? And give me one reason that wasn’t based on color.
This is a call to artists and creatives everywhere: stop using this trope. We can communicate malice through others means: we don’t need to lay the weight on color.

‡     Alexxander Dovelin

adovelin:

Portfolio work from the beginning of the year, done for a personal essay called Color Theory: Racial Connotations in the Visual Simplifications of Good and Evil.

The essay focuses on binary thinking and how this system of thought both reveals and instills problematic ideas in western culture, such as the trope of good and evil, which the pale figure is used as a visual emblem of Good while the dark figure is used as an emblem of Evil. This isn’t always portrayed in skin color, but the baseline connotations it carries affects people of color, affects my friends, one of whom grew up feeling ugly because of it: that the hue of a skin was correlated to an idea of good and evil, beautiful and ugly, segregated into categories deemed white and black.


This trope of good and evil, and all its visuals, has been used again and again by visual creatives because it’s established: That does not stop it from carrying a weight that falls upon a real group of people, people who are dark, and are made out visually in media to be villains. That does not stop it from forming subconscious racist connotations among a culture actively suffering from and attempting to combat racism. Good and Evil is not black and white, it is not simplicity or clarity: true good and evil is blurred, because the heart is not worn on surface, and the visualizations should reflect such.


Who did you think was the hero in that picture, the so-called good guy? And give me one reason that wasn’t based on color.


This is a call to artists and creatives everywhere: stop using this trope. We can communicate malice through others means: we don’t need to lay the weight on color.
‡     Alexxander Dovelin

Source: adovelin

8th May 2013

Photo reblogged from isamizdat with 3,816 notes

isamizdat:

anothermanonthemoon:

“From my rotting body, flowers shall grow and I am in them and that is eternity.” - Edvard Munch

JUSTIFIED AND ANCIENT

isamizdat:

anothermanonthemoon:

From my rotting body, flowers shall grow and I am in them and that is eternity.” - Edvard Munch

JUSTIFIED AND ANCIENT

Source: anothermanonthemoon